By Becki Ross
After the second one global warfare, Vancouver emerged as a hotbed of striptease expertise. In Burlesque West,the first serious historical past of this infamous striptease scene, Becki Ross delves into the erotic leisure on the northern finish of the dancers' west coast travel - the North-South direction from la to Vancouver that supplied rotating paintings for dancers and diversity for membership clientele.
Drawing on huge archival fabrics and fifty first-person bills of former dancers, strip-club vendors, reserving brokers, choreographers, and musicians, Ross unearths tales which are deeply flavoured with an period sooner than "striptease fell from grace as the global stopped dreaming," within the phrases of ex-dancer Lindalee Tracey. even though jobs during this specific are usually perceived as having little in universal with different varieties of paintings, retired dancers' money owed resonate strangely with these of latest provider employees, together with perceptions of unionization and office merits and risks. Ross additionally strains the sanitization and next integration of striptease kind and neo-burlesque traits into mass tradition, reading continuity and alter to eventually reveal that Vancouver's glitzy nightclub scene, frequently condemned as a quasi-legal pressure of city blight, in truth greased the industrial engine of the post-war city.
Provocative and difficult, Burlesque West combines the industrial, the social, the sexual, and the private, and is bound to intellectually tantalize.
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Extra resources for Burlesque West: Showgirls, Sex, and Sin in Postwar Vancouver
Not only were these scholars unable to hide their own competing feelings of titillation and ambivalence (if not disgust) towards dancers; they were unable to accept striptease, or exotic dancing, as labour. 101 Notwithstanding the academics’ efforts to interact with their ‘informants,’ dancers appear as specimens to be inspected, measured, and mocked rather than as workers whose rich biographies confound a facile ‘deviance-begets-deviance’ appraisal. ’103 To those who rejected images of sexually contained, even asexual womanhood, feminist sex pessimism denied women their horny behaviour, their lust, and their longings to seduce.
We do not trade our self-respect for a sweaty dollar. ’124 Mindful of interviewing practice as multi-levelled negotiation, I strove for self-conscious clarity about my identity, what I endeavoured to do, and why. 125 Instead, I sought awareness of the similarities and differences at play during interviews with my participants. 127 As a sex educator, non-mother, and allpurpose violator of sex and gender norms, I relished opportunities to talk stripping with the pros. The ex-dancers were older than I was – and it was a pleasure to hold these elders, and their mixed feelings about striptease, in high esteem.
C. Bennett took ofﬁce in 1952 and ruled the provincial legislature for the next twenty years. 81 By the 1950s, Vancouver was heralded as both a playground for outdoor recreation and a model of indoor cultural sophistication and night-time entertainment. 83 After the long, penny-pinching years of the Depression, the tragedies of two world wars, and the disruption of familial and social networks, Vancouverites looked ahead to a rosier future. 84 By the 1960s, the entire city centre glowed from the electric energy of 18,000 neon signs.
Burlesque West: Showgirls, Sex, and Sin in Postwar Vancouver by Becki Ross