By Kay Rogers
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Extra info for Cat (Reaktion Books - Animal)
Then he jumped up and started to devour the ﬁsh, growling at the woman when she approached. She tried to drive him off with a blow that should have broken his back, but he only grinned at her and went on tearing at the ﬁsh. 3 Cats were more often accused of allying themselves with human agents of Satan, providing alternative forms for witches and assisting them as familiars. However, although animals were prominent in witchcraft superstitions because of their importance in pagan worship, the animals involved were not necessarily cats.
11 Edward Topsell elaborated on Paré’s list in his History of FourFooted Beasts and Serpents and Insects (1607), which purported to 60 A cat from Edward Topsell’s History of FourFooted Beasts (1607). be a natural history. People who sleep with cats fall into consumption because a cat’s breath destroys the lungs. Its flesh is poisonous, its ‘venomous teeth’ inflict a deadly bite, and swallowing its hair unawares causes suffocation. Like Paré, he blames cats for the ailurophobes’ reaction to them: cats can ‘poison a man with very looking upon him’, since some men have a natural abhorrence of cats that causes them to ‘fall into passions, frettings, sweating, pulling off their hats, and trembling fearfully’.
Like the cats in Renaissance Holy Family pictures, it is trying to catch a bird, symbolic of the soul, but is frustrated by divine grace. C. S. Lewis drew on this traditional symbolism in The Last Battle (the last chronicle of Narnia, 1956), where the cold irreverent tomcat Ginger leads in the scheme to overthrow the divine order, incarnated in the noble lion Aslan. In secular works, cats are also typically associated with food, which they are usually stealing. Guiseppe Recco’s Cat Stealing Fish looks up with a deﬁant snarl when it is disturbed raiding a pile of ﬁsh.
Cat (Reaktion Books - Animal) by Kay Rogers