By Simon Sebag Montefiore
Encouraged by way of a real tale, prize-winning historian and acclaimed novelist Simon Sebag Montefiore explores the results of forbidden love during this heartbreaking epic of marriage, formative years, threat, and betrayal that unfolds in Stalin's Moscow through the bleak days after global battle II.
As Moscow celebrates the motherland's excellent victory over the Nazis, photographs ring out at the crowded streets. On a close-by bridge, a teenage boy and girl—dressed in conventional nineteenth-century costumes—lie lifeless. yet this is often no traditional tragedy, simply because those are not any traditional childrens. because the son and daughter of high-ranking Soviet officers, they attend the main elite university in Moscow. used to be it an twist of fate, or homicide? Is it a conspiracy opposed to Stalin, or one in all his personal terrifying intrigues?
On Stalin's directions, a ruthless research starts off into what turns into often called the Children's Case. adolescence around the urban are arrested and compelled to testify opposed to their pals and their mom and dad. As households are ripped aside, every kind of secrets and techniques come spilling out. Trapped on the middle of this witch-hunt are pairs of illicit fans, who examine that concerns of the guts detailed a poor rate. by means of turns a darkly refined political mystery, a wealthy old saga, and a deeply human love tale, Montefiore's masterful novel powerfully portrays the fear and drama of Stalin's Russia.
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Extra info for One Night in Winter
I discuss the Lobby’s objectives, its tactics to achieve them, the history of its formation and rise to prominence, and the conditions that preserved its influence in the aftermath of 9/11. I argue that Russophobia has been important to American hegemonic elites in pressuring Russia for economic and political concessions in the post–Cold War era. T 1. Goals and Means Objectives The central objective of the Lobby has been to preserve and strengthen America’s power in the post–Cold War world through imperial or hegemonic policies.
S. 51 Soon after the war, the previously identified schools that were promoting American values and military power abroad began to converge in the face of the growing prospect of Soviet expansionism. Isolationism was no longer an option, as everything became increasingly subject to fighting the Soviets across the globe. Freedom House, initially created by Franklin D. Roosevelt to prepare American public opinion for war and defend independence of a free France, was turned into a propaganda machine against the Soviets.
These three, Hamiltonianism, Wilsonianism, and Jacksonianism, represent different forms of American internationalism, and they have endured in the country’s foreign policy. Together, the three traditions had the potential to shape the world in the image of the United States, and, were Russia to stand in the way, the Russophobic stereotypes could have developed in the manner of other cultural stereotypes that America developed about China, Japan, Germany, and Muslim nations at later stages. S. international behavior.
One Night in Winter by Simon Sebag Montefiore