By Pessoa, Fernando; Pessoa, Fernando; Sabine, Mark; Klobucka, Anna
ISBN-10: 0802091989
ISBN-13: 9780802091987
he multifaceted and labyrinthine oeuvre of the Portuguese poet Fernando Pessoa (1888-1935) is special through having been written and released less than greater than seventy diversified names. those weren't mere pseudonyms, yet what Pessoa termed 'heteronyms,' totally discovered identities possessed not just of wildly divergent writing types and reviews, but additionally of specific biographies. in lots of circumstances, their self sufficient existences prolonged to their e-book of letters and demanding readings of every other's works (and these of Pessoa 'himself').
Long acclaimed in continental Europe and Latin the United States as a towering presence in literary modernism, Pessoa has extra lately began to obtain the eye of an English-speaking public. Embodying Pessoa responds to this new development of curiosity. The collection's twelve essays, preceded by way of a normal creation and grouped into 4 themed sections, observe various present interpretative types either to the extra generic canon of Pessoa's output, and to much less regular texts - in lots of instances only in the near past released. As a complete, this paintings diverges from conventional Pessoa feedback through attesting to the significance of corporeal physicality in his heteronymous scan and to the prominence of representations of (gendered) sexuality in his work.
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Additional resources for Embodying Pessoa : corporeality, gender, sexuality
Example text
It is popular and appreciated for these reasons, or, rather, for this reason ... 14 And yet ‘we all’ love this glorious sham; and Pessoa’s inclusion of himself in that ‘we’ is far from being entirely ironic. For, as noted above, Pessoa’s relation to the theatre is nothing if not ambivalent. One might say that what he finds ‘low’ in live theatre is not so much ‘appearance before people’ as the phenomenon of appearance itself, the actor’s gross attempt to embody what should be a movement of pure imagination.
Um drama em gente, em vez de em actos’ (The works of these three poets form ... a dramatic whole; intellectual interaction of their characters as well as their personal relations have been studied comprehensively. All this will be explained in future biographies, accompanied 28 Anna M. Klobucka and Mark Sabine upon their publication by horoscopes and possibly photographs. It is a drama in people rather than in acts). 4 The role of the founding work of Pessoan criticism can arguably be attributed to Jacinto do Prado Coelho’s Diversidade e unidade em Fernando Pessoa, originally published in 1949 and to this day remaining in print.
Edwin Honig and Susan M. Brown (New York: Ecco Press, 1986); Selected Prose, ed. and trans. Richard Zenith (New York: Grove Press, 2001); A Centenary Pessoa, ed. C. Taylor (Manchester: Carcanet, 1995). There are several English translations of Pessoa’s major prose work, Livro do desassossego Introduction: Pessoa’s Bodies 27 (Book of Disquiet); the latest is by Richard Zenith, based on his revised and expanded Portuguese edition of Livro (London and New York: Penguin, 2001; Port. edition: Lisbon: Assírio & Alvim, 1998).
Embodying Pessoa : corporeality, gender, sexuality by Pessoa, Fernando; Pessoa, Fernando; Sabine, Mark; Klobucka, Anna
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