By Marina Dahlquist
ISBN-10: 0252037685
ISBN-13: 9780252037689
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Extra info for Exporting Perilous Pauline: Pearl White and Serial Film Craze
Sample text
Exporting the American Film,” Motography 6, no. 2 (August 1911): 90. indd 22 4/25/13 2:56 PM Introduction 77. Ibid. 78. W. Stephen Bush, “Charles Pathe’s Views,” Moving Picture World 19, no. 4 (January 24, 1914): 390–91. 79. Ibid. 80. “Brevities of the Business,” Motography 12, no. 6 (August 8, 1914): 215. 81. Lahue, Bound and Gagged, 105. 82. “Exporting the American Film,” Motography 6, no. 2 (August 1911): 90. 83. Roland Robertson, Globalization: Social Theory and Global Culture (London: Sage, 1992); “Globalisation or Glocalisation,” Journal of International Communication 1, no.
16. “Pearl White’s Message to Our Boys,” unsigned article in New York Star, December 26, 1917, 78. 17. Ben Singer, “Female Power in the Serial-Queen Melodrama: The Etiology of an Anomaly,” Camera Obscura 8, no. 1 (1990): 90–129; Singer, Melodrama and Modernity, 14. 18. Singer, Melodrama and Modernity, 223. 19. Hallett, “Based on a True Story,” 185. 20. Eclectic Film Company’s advertisement in Motography 11, no. 7 (April 4, 1914): 5. 21. Richard Abel, Americanizing the Movies and “Movie-Mad” Audiences: 1910–1914 (Berkeley: University of California Press, 2006), 215–56.
81. Lahue, Bound and Gagged, 105. 82. “Exporting the American Film,” Motography 6, no. 2 (August 1911): 90. 83. Roland Robertson, Globalization: Social Theory and Global Culture (London: Sage, 1992); “Globalisation or Glocalisation,” Journal of International Communication 1, no. 1 (1994); Roland Robertson and Kathleen E. , Globalization: Critical Concepts in Sociology, 6 vols. (London: Routledge, 2003); Miriam Hansen, “The Mass Production of the Senses: Classical Cinema as Vernacular Modernism,” Reinventing Film Studies, ed.
Exporting Perilous Pauline: Pearl White and Serial Film Craze by Marina Dahlquist
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