By Nina L. Khrushcheva
ISBN-10: 0300108869
ISBN-13: 9780300108866
It's not that i am quite drawn to both Russia, literature or Nabakov, but the intersection of all of those, in addition to autobiographical fabric from Khrushcheva, make for an attractive and poignant publication. I felt like I discovered greatly approximately Russia, the U.S. and the 20 th century. I learn this in sittings.
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Additional info for Imagining Nabokov: Russia Between Art and Politics
Example text
And Retreat rooms on the first floor in the old Nabokov mansion on Bolshaya Morskaya Street. In an oak-paneled library that hosted a rather scarce but nicely displayed exhibit of Nabokov-related materials— books, sketches, and butterflies—I talked about Nabokov’s Russian return yet again. ” Sixteen years after the collapse of the Soviet Union, the last six of which President Vladimir Putin had spent reestablishing the centralized power of the Kremlin by diminishing the power of the institutions of civil society, most Russians no longer regard their country’s openness to the rest of Europe as a sign that they have, at long last, united with Western civilization.
I write for myself in multiplicate, a not unfamiliar phenomenon on the horizons of shimmering deserts” (SO, I#8, 114), or “I loathe popular pulp, I loathe go-go gangs, I loathe jungle music, I loathe science fiction with its gals and goons. . I especially loathe vulgar movies. . , I#9, 117). Nabokov doesn’t mix well with the masses. 29 Nabokov’s Russian Return . . and Retreat Russians have played with being his characters and have given them up—too difficult: they are too self-controlled, too selfsufficient.
During my browsing at the bookstore I even stumbled upon a Nabokov Reader, a guidebook for schoolteachers on how and why every adolescent in Russia should read Nabokov. Expecting just a few fanatic students in my class at Moscow State, I instead walked into the room to find that with each session the number of people wearing Nabokov’s mask doubled or tripled. The first week I had six students, the next, twelve, then eighteen . . They were deft and determined—they recited passages from Lolita and Speak, Memory by heart in both English and Russian; they didn’t skip classes or make excuses as we had done in my own time.
Imagining Nabokov: Russia Between Art and Politics by Nina L. Khrushcheva
by George
4.3