By Jeff Strong
ISBN-10: 0764557149
ISBN-13: 9780764557149
ISBN-10: 0764573209
ISBN-13: 9780764573200
Indicates musicians and residential recording fans find out how to wake up and working with seasoned instruments, the major software program for pro track recording positive factors minibooks on recording fundamentals, computing device and recording undefined, MIDI, modifying, blending, learning, synchronization, and complex seasoned instruments use deals info at the hot-selling Digi002, Digi001, and Mbox programs for domestic recording buffs offers extra whole details than different books, together with easy pointers on the recording approach Written by means of a certified musician who has been a traveling and studio drummer in addition to a valid and recording engineer
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Example text
Without a direct box changing your impedance levels, your guitar signal may sound thin or may have excess noise. Perusing the preamp Microphones produce a lower signal level than do line-level devices (synthesizers, for example); thus they need to have their signal level increased. For this purpose, you need a preamp, a device that boosts a microphone’s output. Preamps can be internal or external, meaning they could reside within your mixer or be a separate unit that you have to plug in between your microphone and mixer.
Studio monitors come in many varieties, but the home recordist’s best bet is a set of near-field monitors. Near-field monitors are designed to be positioned close to you (which is often the case anyway because most home recordists have very little room in which to work). Near-field monitors either come with or without an amplifier. The amplified monitors are called active monitors, and the nonamplified monitors are referred to as passive monitors. Which type of monitor you choose depends on your budget and whether you like the idea of the amp coming with the speakers or prefer to purchase the amp separately.
After all, a TS plug is a TS plug is a TS plug, right? Well, not really. The same plug can be wired differently, and it can carry different levels of power. For example, an Making Connections 33 The speaker cord also carries a lot more current (power) than the instrument cable; that’s the reason it doesn’t have a shield. The high signal level covers up any noise present in the cord. Because there isn’t nearly as much current present in an instrument, you don’t want to use a speaker cord for your instrument; you need the instrument cable’s shield to keep the noise down.
Pro Tools All-in-One Desk Reference for Dummies by Jeff Strong
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