By Jonathan Webber
ISBN-10: 0203844149
ISBN-13: 9780203844144
ISBN-10: 0415550955
ISBN-13: 9780415550956
ISBN-10: 0415550963
ISBN-13: 9780415550963
Jean-Paul Sartre used to be essentially the most influential philosophers of the 20th century. The fourteen unique essays during this quantity concentrate on the phenomenological and existentialist writings of the 1st significant part of his released profession, arguing with scholarly precision for his or her carrying on with significance to philosophical debate.
Aspects of Sartre’s philosophy below dialogue during this quantity include:
- consciousness and self-consciousness
- imagination and aesthetic experience
- emotions and different feelings
- embodiment
- selfhood and the Other
- freedom, undesirable religion, and authenticity
- literary fiction as philosophical writing
Reading Sartre: on Phenomenology and Existentialism is an imperative source for figuring out the character and significance of Sartre’s philosophy. it really is crucial analyzing for college students of phenomenology, existentialism, ethics, or aesthetics, and for an individual attracted to the roots of up to date concept in 20th century philosophy.
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Additional resources for Reading Sartre : on phenomenology and existentialism
Example text
In the case of 20 IMAGINATION IN NON-REPRESENTATIONAL PAINTING the portrait of Charles VIII, when one confronts it, one ceases to be aware of the canvas (or better, the wood) and paint. Instead, through an act of imagining, one becomes aware of a human being. But as mentioned before, this does not mean that one is presented with Charles VIII in the flesh. Charles VIII bestows meaning to our imagining attitude: he is the object of our imagining consciousness. Yet, Charles VIII – the man and king – is not present, but only meant.
And if you, as you say, are moved only by their color relationships, then you miss the point’ (cited in Clearwater 2007: 114). For a more detailed description of Rothko’s self-interpretation, see Rothko 2004; Rothko and López-Reniro 2006. 3 I am indebted to Jonathan Webber for commenting extensively on a previous instantiation of this essay. His support and comments have been invaluable. I am also grateful to Lauren Freeman, whose numerous suggestions and criticisms have greatly improved this essay.
It is undeniable that the work of art can function as an analogon, as matter for the imagining consciousness, only if one is aware of its presence. A painting in the dark solicits, instigates, or motivates no imagining consciousness. Rather, such conditions concern only the materiality of the work of art and not its irreality. As Sartre points out, to direct a spotlight on a painting is only to illuminate the canvas and not the object of aesthetic appreciation. It is, in other words, to light a piece of coloured material and not the ‘cheek of Charles VIII’ (IPPI: 183).
Reading Sartre : on phenomenology and existentialism by Jonathan Webber
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