By Earl E. Fitz
ISBN-10: 0292730683
ISBN-13: 9780292730687
Pushed by way of an unfulfilled wish for the impossible, finally indefinable different, the protagonists of the novels and tales of acclaimed Brazilian author Clarice Lispector exemplify and humanize a few of the concerns critical to poststructuralist proposal, from the character of language, fact, and aspiring to the risky relationships among language, being, and fact. during this ebook, Earl Fitz demonstrates that, in flip, poststructuralism deals very important and revealing insights into all points of Lispector's writing, together with her kind, feel of constitution, characters, subject matters, and socio-political conscience.
Fitz attracts on Lispector's whole oeuvre--novels, tales, cronicas, and children's literature--to argue that her writing continuously displays the elemental tenets of poststructuralist thought. He indicates how Lispector's characters fight over and humanize poststructuralist dilemmas and the way their crucial feel of being is deeply depending on a transferring, and customarily transgressive, feel of wish and sexuality.
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Additional resources for Sexuality and Being in the Poststructuralist Universe of Clarice Lispector: The Différance of Desire (Texas Pan American Series)
Sample text
It is mysterious or opaque, and even as it invites the reader, it wards him off. (Strand xv)4 Like poetry, Lispector's work "endorses a state of verbal suspension" because, as we see in texts like The Stream of Life, "Where You Were at Night," and A Breath of Life, it features, "language performing at its most beguiling and seductive while being, at the same time, elusive, seeming to mock one's desire for reduction, for plain and available order" (xv). Reconnecting the ancient epistemological link between philosophy and poetry, Lispector's texts cultivate not only the semantically vague areas that lie not only "between the lines" (which is where she says real knowledge is gained)5 but also "between the words" in the interstices that constitute the shifting relationships within and among the words themselves.
Wait: it's getting dark. Darker. And darker. It continues on. I was born. (27) Although this same poetic style and structuring characterizes the great majority of Lispector's texts, it is more prominent in certain ones (The Foreign Legion, Where You Were at Night, The Stream of Life, or A Breath of Life, for example) than in others (Family Ties, The Stations of the Body, "Beauty and the Beast," The Besieged City, An Apprenticeship, or The Book of Delights, or The Hour of the Star). Still other of her works, however, more hybrid in nature, oscillate between the decentering polysemy 38 A SEMIOTICS OF BEING of poetry and the centering, or stabilizing, lure of orthodox narrative (Near to the Wild Heart, The Chandelier, The Apple in the Dark, Clandestine Happiness, and The Passion according to G.
In his view, as in Lispector's, the realist (or "representational") sign is meretricious because it obscures its true status as a linguistic sign by generating the illusion that through it the reader (or listener) can perceive "reality" as it "really" is and that this can occur without the intervention of the sign itself. This position, however appealing, "denies the productive character of language" (Eagleton 136), which is perhaps the most distinctive characteristic of Lispector's narratives, a point she alludes to in "The 'True' Novel," a crônica dated 22 August 1970, where she decries the traditional realistic novel for much the same reason that Barthes does—because it is boring.
Sexuality and Being in the Poststructuralist Universe of Clarice Lispector: The Différance of Desire (Texas Pan American Series) by Earl E. Fitz
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