By Endre Bojtar
ISBN-10: 9027215073
ISBN-13: 9789027215079
This paintings examines Czech Structuralism from the mid-nineteen twenties till 1948 (J. Mukařovský, R. Jakobson, F. Vodička, R. Wellek, etc.), the Polish so-called crucial college, lasting from approximately 1930 till 1945, (M. Kridl, ok. Budzyk, F. Siedlicki, D. Hopensztand, S. Żółkiewski), in addition to R. Ingarden's perspectives on literary feedback, i.e. that procedure of literary conception which including Russian Formalism was once termed "Slavic Structuralism". the total interval is tested in developmental chronology. regardless of this, the aim isn't a historical past of technological know-how, yet to throw gentle at the approach of literary feedback which Slavic Structuralism has bequeathed to us and to teach to what volume and the way it may be of use to us.
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Extra info for Slavic Structuralism
Example text
G. gasbag) that we do not know what is being referred to by it. Between these two extremes are spread the innumer able degrees in the selection of synonyms and homonyms. 3. The Literary Work as Sign 55 with meaning as exactly as possible, in the literary work, which is an autonomous sign, directed upon itself, the symbiosis of the object and the meaning ceases or at least weakens and the possibility of there being several objects for one meaning or several meanings for one object emerges. Thus the phenomena and meanings of reality become polyse mantic, ambiguous, expand and allow for new possibilities in the world (Mukařovský 1938:244).
Thus the phenomena and meanings of reality become polyse mantic, ambiguous, expand and allow for new possibilities in the world (Mukařovský 1938:244). "Why is it necessary to have all this? " asks Jakobson (1933:415) and he answers thus: "Because in addition to the immediate consciousness of the identity of the sign and the object (A = A1) it is also necessary to have consciousness of the difference (Α ≠ A1) and this antimony is absolutely necessary because without contradiction there will be no movement in the notions or in the signs, the interrelation of notions will be automatized, the processes will cease and the consciousness of reality will die.
In its first phase structuralism did not succeed in finding the literary work of art. Something was found, though, that was within the work, namely structure, but the search needed to be continued. This was done in two ways. One of these is represented by Czech Structural ism and J. Mukarovsky, the other by R. Ingarden. Basically, Mukarovsky continued to perpetrate the linguistic concep tion of the literary work, thus for him the work consisted of a phonetic layer and a layer of signification.
Slavic Structuralism by Endre Bojtar
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