Download The Beaver Bites Back?: American Popular Culture in Canada by David H. Flaherty, Frank E. Manning PDF

By David H. Flaherty, Frank E. Manning

ISBN-10: 0773511199

ISBN-13: 9780773511194

The contributing authors discover 3 points of yankee tradition: its transmission via print and broadcast media and during dwell occasions in recreation, leisure, spiritual evangelism, and different public productions; its effect on Canadian pop culture; and the range of Canadian responses. They recommend that the Canadian model of yankee pop culture is much greater than a replica. in its place, it truly is usually an artistic reaction - frequently parodic in tone and subversive in rationale - that provides public expression to Canadian sentiment and sensibility and offers safety from, and resistance to, American domination. sarcastically, it can be in responding to American tradition that Canadian sovereignty unearths its so much significant and powerful articulation. experts and students from a large choice of disciplines, the individuals talk about a variety of cultural types and performances. each one instance, whereas "made in Canada," is expounded to an American substitute yet has a wide Canadian viewers. Taking a wealthy number of views in this complicated dating, The Beaver Bites again? calls for that Canadian pop culture be accorded its right prestige. The individuals are G. Stuart Adam, Michael M. Ames, Robert Knight Barney, Seth Feldman, Bruce Feldhusen, David H. Flaherty, Reid Gilbert, Andrew Lyons, Harriet Lyons, John MacAloon, Frank E. Manning, Thelma McCormack, Mary Jane Miller, Bernard Ostry, Charline Poirier, Paul Rutherford, Robert A. Stebbins, Michael Taft, Geoffrey Wall, and Andrew Wernick.

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S. programming. Feldthusen argues that "commercial television serves the function of providing unchallenging, and in that sense relaxing, background entertainment," meaning that it is not conducive to the achievement of cultural and public service goals. s. cultural penetration of Canada is indeed part of a worldwide phenomenon. " Feldthusen pessimistically concludes that "commercial television is the source of our cultural problems, not a vehicle for solving them. " He ultimately recommends the separation of regulation for commercial and public service television to achieve the appropriate goals of cultural protection.

9 The Saddledome is now the "home" of the Calgary Flames, and is served (at Stampede Station) by the city's new LRT, a fully automated, spanking clean rapid transit system built in anticipation of the Olympics. A sign at the station notes the date of next year's Stampede and invites the public addressed in the southern American vernacular as "Y'all" - to come. Similarly, McMahon Stadium was built on the grounds of the University of Calgary and has since become a campus facility. And the Olympic Plaza, where medals were awarded, was built next to city hall.

A more intriguing aspect of MacAloon's model — for Canadians, at least — is his contention that this cultural exchange is exactly reversed on the other side of the border. Traditional values of local community autonomy and plurality, he argues, lead Americans to want a weak federal state. But that objective is put beyond reach by the requirements of the superpower role, as well as the realities of a complex economy and established, bureaucradcally enforced commitments to social justice and equality.

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The Beaver Bites Back?: American Popular Culture in Canada by David H. Flaherty, Frank E. Manning


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