By Anna L. DesOrmeaux
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Additional info for THE BLACK DEATH AND ITS EFFECT ON FOURTEENTH AND FIFTEENTH-CENTURY ART
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Some plague art contains gruesome imagery that was directly influenced by the mortality of the plague or by the medieval fascination with the macabre and awareness of death that were augmented by the plague. Some plague art documents psychosocial responses to the fear that plague aroused in its victims. Other plague art is of a subject that directly responds to people’s reliance on religion to give them hope. It could be argued that all art created after 1348 is “plague art,” as mortality was so extensive and repetitive that it affected every artist and every patron.
119-120. Some people believed the flagellants were the main party persecuting the Jews. Benedictine monk Jean de Fayt preached a sermon at Avignon on October 5, 1349. , 118-120. , 133. , 130. 173 Ibid. 174 Joseph P. Byrne, The Black Death (Westport, Connecticut and London: Greenwood Press, 2004), 80. 175 Aberth, 131. 177 Soon after, on February 15, 1350, King Philip VI of France issued an edict with the same intent. His words represent the opinion of educated people: We have understood that a sect of people, under the color of devotion and a false penance, who call themselves flagellants and penitents, has arisen and multiplied…in violation of the good condition and observance of the Christian faith.
Anonymous, The Three Quick and the Three Dead, Castelnuovo Tomb, Sta. Maria, Vezzolano. 141 Kathleen Cohen, Metamorphosis of a Death Symbol: The Transi Tomb in the Late Middle Ages and the Renaissance (Berkeley, Los Angeles, London: University of California Press, 1973), 33. The story’s origins lie in a late thirteenth- or early fourteenth-century French poem, which itself was influenced by existing ideas. ” 42 The popularity of The Three Quick and the Three Dead resulted in a variety of representations of the theme.
THE BLACK DEATH AND ITS EFFECT ON FOURTEENTH AND FIFTEENTH-CENTURY ART by Anna L. DesOrmeaux
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