By Albert Camus
ISBN-10: 0141978872
ISBN-13: 9780141978871
Title note: unique identify La Chute
Publish 12 months note: First released in 1956
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A philosophical novel defined by means of fellow existentialist Sartre as 'perhaps the main appealing and the least understood' of his novels, Albert Camus' The Fall is translated through Robin Buss in Penguin sleek Classics.
Jean-Baptiste Clamence is a soul in turmoil. Over a number of drunken nights in an Amsterdam bar, he regales an opportunity acquaintance along with his tale. From this profitable former legal professional and possible version citizen a compelling, self-loathing catalogue of guilt, hypocrisy and alienation pours forth. The Fall (1956) is a superb portrayal of a guy who has glimpsed the hollowness of his life. yet past depicting one man's disillusionment, Camus's novel exposes the common human and its absurdities - for our innocence that, as soon as misplaced, can by no means be recaptured ...
Albert Camus (1913-60) is the writer of a few best-selling and hugely influential works, all of that are released by means of Penguin. They contain The Fall, The Outsider and The First guy. provided the Nobel Prize for Literature in 1957, Camus is remembered as one of many few writers to have formed the highbrow weather of post-war France, yet past that, his status has been international.
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Extra info for The Fall (Penguin Modern Classics)
Sample text
But the emotive behavior is not on the same plane as the other behaviors ; it is not effective. Its end is not really to act upon the object world as such through the agency of particular means. It by itself to confer upon the object, and with out modifying it in its actual structure, another seeks quality, a lesser existence, or a lesser presence ( or t 60 t A S KE T C H OF A P H E N O M E N O L O G I C A L T HEO R Y a short) in emo tion it is consciousness, changes in order that the world greater existence, etc.
Here the comedy is only half sincere. But let the situation be more urgent, let the incantatory behavior be carried out with seriousness ; there we have emotion. For example, take passive fear. I see a wild ani mal coming toward me. My legs give way, my heart beats more feebly, I turn pale, I fall and faint. Nothing seems less adapted than this behavior which hands me over defenseless to the danger. And yet it is a behavior of escape. Here the faint ing is a refuge. Let it not be thought that this is a refuge for me, that I order not to see am myself in more.
We shall try els ewh ere to d escri be in detail the world acted upon. The thing that matters here is to show that a c t i on as spontaneous unreflective consciousness constitutes a certain existential level in the world, and th a t in orde r to act it is not necessary to be f 56 f A S KE T C H OF A P H E N O M E N O L O G I C A L T HE O RY consci o us of In short, the self as acting-quite the contrary. unreflective behavior is not unconscious is consci o us of itself non-thetically, and its way of being thetically co ns cious of itself is to t ra n s cen d itself an d to seize upon t h e world as a quality of things.
The Fall (Penguin Modern Classics) by Albert Camus
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