By Adam Levine, David L. Culp
ISBN-10: 1604692367
ISBN-13: 9781604692365
Brandywine Cottage is David Culp's loved two-acre Pennsylvania backyard the place he mastered the layout means of layering — interplanting many various species within the comparable sector in order that as one plant passes its height, one other takes over. the result's a nonstop parade of colour that starts off with a tapestry of heirloom daffodils and hellebores in spring and ends with a jewel-like mix of Asian wildflowers on the onset of iciness.
The Layered Garden indicates you ways to recreate Culp's majestic show. It begins with a simple lesson in layering — easy methods to opt for the right kind crops through figuring out how they develop and alter during the seasons, the way to layout a layered backyard, and the way to keep up it. to demonstrate how layering works, Culp takes you on a private journey via every one a part of his celebrated backyard: the forest backyard, the perennial border, the kitchen backyard, the shrubbery, and the walled backyard. The booklet culminates with a bankruptcy devoted to signature vegetation for all 4 seasons.
As useful because it is inspiring, The Layered Garden offers you professional info gleaned from a long time of labor and shut commentary. for those who idea four-season backyard was once past your achieve, this e-book will enable you in attaining that elusive, tantalizing objective.
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Additional info for The Layered Garden: Design Lessons for Year-Round Beauty from Brandywine Cottage
Example text
My garden’s signature shape is provided by upstanding plants and man-made elements with vertical profiles. Since the predominant orientation of the garden is horizontal, these verticals—by piercing that horizontal plane—stand out, connect the earth to the sky, and help carry the eye from space to space when repeated throughout the garden. The rose pillars, bamboo teepees, and even the pointed pickets of the vegetable garden fence provide year-round vertical interest, while our selection of upright plants changes with the seasons.
For example, a white garden will look better with blue flowers as an accent, rather than bluish-whites or yellowish whites, which in this context can look dirty or unflattering. Another color accent can enhance the values of the featured color (or provide a contrast, if that is your wish). White heightens the color of any other color it is placed beside. For a different eΩect, purple, bronze, and some shades of gray soften any brighter colors next to them. When in doubt, I add blue, which works with both hot colors and cooler pastels.
One way I do this is with the arrangement of hostas on the hillside. By pairing larger varieties higher up the hill with smaller ones of the same leaf color and form below—Hosta ‘Big Daddy’ with the smaller ‘Blue Cadet’, ‘Sum and Substance’ with the diminutive ‘Zounds’, H. sieboldiana with the H. ‘Mouse Ears’ series—it looks as if the larger plants are happily scattering their progeny down the hill. In this and many other ways, I see myself as the wizard behind the curtain, manipulating the scene in thought-provoking but not obvious ways, always trying to let the plants and their natural beauty speak first.
The Layered Garden: Design Lessons for Year-Round Beauty from Brandywine Cottage by Adam Levine, David L. Culp
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