By Jhon Gee
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Additional resources for The Tree of Death & the Qliphoth
Sample text
At Carlisle this has been achieved in the first phase of woodland development partly through the introduction of the sheepfold but also as the emerging woodland has become more dense and impregnable. The introduction of the sheepfold has also been important in reinforcing the identity of the woodland burial area as distinct from the adjacent Victorian cemetery. It is also reference to the wider vernacular Cumbrian landscape, where stone sheepfolds are a unique feature of upland farming; and it thereby helps to create a coherent panoramic, monocular view of the landscape and nature,6 one that in addition discourages the binocular view which might emerge if people were able to carry out planting and other activities at the site of the grave they visit (see Chapter 1).
This would simplify and reduce the need for regular grass cutting and retain the meadows as informal recreation spaces for parishioners and hillwalkers, now and in the future. 6 The design for a new cemetery at Saddleworth, near Oldham, by landscape Architect Robert Camlin (1986) included burial meadows where the intention was that these would remain clear of memorials, which would be placed along the woodland edge. For reasons that remain unclear, when the cemetery opened in 1986 this aspect of the design was not realised.
Interestingly, in 2010, the authority responded to the unique woodland setting of the crematorium to include a natural burial option where whole-body burials are now incorporated within the existing woodland. 5 Waldfriedhof Woodland Cemetery in Munich, Germany. Designed by Architect Hans Grässel (1907). The graves are located within the woodland, which is more intensively managed to maintain access to individual graves (June 2013). There have been other precursors to Ken West’s activities at Carlisle that also challenged conventional approaches to cemetery design.
The Tree of Death & the Qliphoth by Jhon Gee
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