By Shayla Thiel-Stern
ISBN-10: 1625340907
ISBN-13: 9781625340900
ISBN-10: 1625340915
ISBN-13: 9781625340917
From the times of the penny press to the modern international of social media, journalistic money owed of sweet sixteen ladies in hassle were a mainstay of the U.S. information media. usually the tales characterize those women as both sufferers or whores (and occasionally both), utilizing journalistic storytelling units and news-gathering practices that question women’ skill to accomplish femininity competently, particularly as they act in public leisure area. those media debts of meant misbehavior may end up in ethical panics that then extra silence the voices of children and younger women.
In From the Dance corridor to fb, Shayla Thiel-Stern takes an in depth examine numerous ancient snapshots, together with working-class women in dance halls of the early 1900s; ladies’ tune and box groups within the Nineteen Twenties to Nineteen Forties; Elvis Presley lovers within the mid-1950s; punk rockers within the overdue Nineteen Seventies and early Eighties; and women utilizing the web within the early twenty-first century. In each one case, problems with gender, socioeconomic prestige, and race are explored inside of their old context. The ebook argues that through marginalizing and stereotyping youngster ladies over the last century, mass media have perpetuated a development of gendered obstacle that finally limits the cultural and political strength of the younger ladies it covers.
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Extra info for From the Dance Hall to Facebook: Teen Girls, Mass Media, and Moral Panic in the United States, 1905-2010
Example text
Ultimately, however, I hope the book reaches audiences outside academia as well. Parents, educators, media practitioners, policymakers, and girls themselves should be concerned that the way girls are represented within media often does not align with reality, and this misalignment limits both their political and cultural power. Perhaps this exposure could lead to reform. I also hope this book demonstrates that this is a historical pattern of sexism in which crisis becomes a both a cultural distraction and the means by which American teen girls are robbed of power and agency.
In a section focusing on the overtly sexual dancing (“tough” dancing) that takes place in dance halls, Turner described a “new Jewish immigrant girl”: “She arrives, pays her nickel piece, and sits—a big, dazed, awkward child—upon one of the wooden benches along the wall,” he wrote. ”33 The words “ignorant and dazed” as applied to a new immigrant create a media narrative that constructs immigrants as stupid and amusingly unassimilated. Although the main point of Turner’s story was to implicate the infamous Tammany Hall political machine in sanctioning citywide illegal establishments, his description of the girl at the dance hall illustrates the normalization of statements that are clearly sexist, classist, and racist.
32 Most moral panics related specifically to gender and femininity would not even be covered by its strict definition. After all, gendered moral panics are recycled, redistributed, and reconstituted in a nearly constant historical cycle. Moreover, panics related to teen girls might be seen as so insignificant as to hardly count as arousing societal anxiety. Nonetheless, the same concerns about the appropriate performance of femininity and girlhood and the same cultural worries about teen girls’ behaviors (and the potential consequences of those behaviors) continue to be the same, even over more than a century.
From the Dance Hall to Facebook: Teen Girls, Mass Media, and Moral Panic in the United States, 1905-2010 by Shayla Thiel-Stern
by Charles
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