By Anthony B. Pinn
ISBN-10: 1472581415
ISBN-13: 9781472581419
Who are the "Nones"? What does humanism say approximately race, faith and pop culture? How do race, faith and pop culture tell and impact humanism?
The demographics of the us are altering, marked so much profoundly by means of the religiously unaffiliated, or what we need to come to name the "Nones". unfold throughout generations within the usa, this workforce incorporates a wide variety of philosophical and ideological views, from a few in accordance with a number of sorts of theism to those that are atheistic, and all kinds of mixtures in among. related adjustments to demographics are happening in Europe and in other places.
Humanism: Essays on Race, faith and pop culture provides a much-needed humanities-based research and outline of humanism with regards to those cultural markers. while such a lot current research makes an attempt to provide an explanation for humanism during the usual and social sciences (the "what" of life), Anthony B. Pinn explores humanism when it comes to "how" existence is prepared, socialized, ritualized, and framed. This ground-breaking e-book brings jointly outdated and new essays on quite a lot of themes and subject matters, from the African-American adventure, to the advance of humanist church buildings, and the lyrics of Jay Z.
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Extra resources for Humanism: Essays on Race, Religion and Popular Culture
Example text
What remained of faith, Blum would have readers understand, was that which could withstand the probing of science, the strictures of reason, and the context of the material world of experience. It is Du Bois calling for the death of old religion and the birth of a new mode of earthy faith embodied and redemptive. 3 Du Bois’s growing materialism does not pose a problem, for Blum, but rather demonstrates the various framings of life to which theistic articulations of meaning can be applied. Religion can do many types of work—safeguarding discrimination and dismantling the cosmic justifications for it in ways that make it approachable through secular means.
His form of religious naturalism could not avoid the promise and pitfalls of black life in the United States, and the haunting chronicle of that life found in the signs and symbols of faith within African American communities. In light of this contextual shift Du Bois’s religious naturalism can be said to encapsulate five primary moves reminiscent of the four points above: (1) no interest in metaphysics and supernaturalism; (2) religion provides a language for tackling the sociopolitical and economic concerns of mundane life; (3) religion provides a way of maintaining creative tension between African Americans as part of the larger fabric of American collective life and African Americans as a distinct group; (4) the framing of this religiosity is dependent on mechanisms of thought and action—“piety, Jeremiadic protest, and sacrifice;” and finally, (5) the first four encourage an understanding of Du Bois’s religious identity as defined by a process of seeking meaning through destruction of the traditional linkages of sociopolitical, economic, and religious claims in and on the United States.
All of the above play a role in this branding process; 5 Establishment of an African American Humanism Fund (not associated with a particular humanist organization) used to support and encourage humanism-based activities and promotions on the local level; 6 Connected to the issue of branding, the development of a clear and concise mission statement for the African American humanist “movement” that provides a positive and proactive stance. The above could play a profitable role in the enhancement and growth of humanism within African American communities.
Humanism: Essays on Race, Religion and Popular Culture by Anthony B. Pinn
by Kevin
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