By Dirk van den Abeele
ISBN-10: 1852792469
ISBN-13: 9781852792466
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Extra info for Lovebirds: Owners Manual and Reference Guide
Example text
16 As Susan McHugh points out, “circular fads” for certain breeds of dogs “follow the releases and re-makes of popular dog films that mis-represent them as low-maintenance family pets. Commercial successes and domestic pet tragedies alike stem from the intense marketing campaigns now centred on the release of such films, which bombard fast food restaurants, children’s television programming and toy store shelves with promotional images of the celebrity breed dog” (McHugh 2004, 111; see also Malloy 2011, 10–11).
I was given the latter lesson by having an ammonia gun shot off under my nose while engaged in a rough and tumble scrap. Since then they have taught me about things a dog can learn to do. (26) Since Teddy chewed Clara Horton’s doll in 1914, he was obviously a little older than two at the time of this “interview,” but he was now a featured player on the Sennett lot and was lent out to Mary Pickford for Stella Maris in 1918 and ended his acting career with Mabel Normand in The Extra Girl in 1923, although he has a brief appearance with another canine performer named Cameo (also sometimes called “Cameo the Wonder Dog,” who made some dozen films, often uncredited, through the early 1930s) in The Hollywood Kid (1924).
Lund traces a complicated narrative of a country in which dogs have been, and sometimes still are, representative of an ideology in which native people matter less than imported and “civilized” dogs. The final essay in this section moves literally to the “end of the world,” to films that take place in the Antarctic, the only continent with no permanent human population. In early 2006 the Disney feature Eight Below offered an Antarctic animal adventure in which Siberian huskies rather than penguins took center stage.
Lovebirds: Owners Manual and Reference Guide by Dirk van den Abeele
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